tag:blogger.com,1999:blog-60850868911836837892024-03-13T21:28:13.400-07:00Emergent Reality in Urban Public SpacesRares V. DRAGANhttp://www.blogger.com/profile/01641848531075257498noreply@blogger.comBlogger10125tag:blogger.com,1999:blog-6085086891183683789.post-10980496772910529222009-10-25T15:48:00.000-07:002009-10-25T15:51:48.230-07:00...despre realitatea virtuala<p style="margin: 0.0px 0.0px 0.0px 0.0px; font: 11.0px Helvetica Neue Light"><span style="letter-spacing: 0.0px"><span class="Apple-style-span" style="font-size: medium;"><span class="Apple-style-span" style="color:#666666;">O interpretare fenomenologica a conceptului de realitate virtuala:</span></span></span></p> <p style="margin: 0.0px 0.0px 0.0px 0.0px; font: 11.0px Helvetica Neue Light; min-height: 13.0px"><span class="Apple-style-span" style="font-size: small;"><span class="Apple-style-span" style="color:#C0C0C0;"><span style="letter-spacing: 0.0px"></span><br /></span></span></p> <p style="margin: 0.0px 0.0px 0.0px 0.0px; font: 11.0px Helvetica Neue Light; min-height: 13.0px"><span class="Apple-style-span" style="font-size: small;"><span class="Apple-style-span" style="color:#C0C0C0;"><span style="letter-spacing: 0.0px"></span><br /></span></span></p> <p style="margin: 0.0px 0.0px 0.0px 0.0px; font: 11.0px Helvetica Neue Light"><span style="letter-spacing: 0.0px"><span class="Apple-style-span" style="font-size: small;"><span class="Apple-style-span" style="color:#C0C0C0;">In contextul aplecarii asupra spatiului urban contemporan, o abordare optimistic-gnoseologica a realitatii trebuie sa tina cont de alterarea realitatii reale prin mijlocale realitatii virtuale redusa la imagine.</span></span></span></p> <p style="margin: 0.0px 0.0px 0.0px 0.0px; font: 11.0px Helvetica Neue Light"><span style="letter-spacing: 0.0px"><span class="Apple-style-span" style="font-size: small;"><span class="Apple-style-span" style="color:#C0C0C0;">Vorbind despre realitate virtuala, in contextul spatiului urban contemporan, vorbim defapt despre emergenta realitatii reale; am putea chair emite impoteza existentei unei relatii de identitate extensionala intre realitatea reala si realitatea virtuala, unde extensiunea comuna este imaginea.</span></span></span></p> <p style="margin: 0.0px 0.0px 0.0px 0.0px; font: 11.0px Helvetica Neue Light"><span style="letter-spacing: 0.0px"><span class="Apple-style-span" style="font-size: small;"><span class="Apple-style-span" style="color:#C0C0C0;">Perceptia realitatii virtuale se bazeaza in procent covarsitor pe imagine si presumune o modificare cognitiva a sitemului perceptiv pentru adaptare la perceptie spatiala bazata pe mesaj transimis si mai putin prin forma-spatiala si date senzoriale. Considerand mecanismele rationalismului si afirmatia lui Leibnitz care considera ca “mintea e un izvor de cunostinte independente de datele senzoriale” putem afirma ca perceptia si orientarea in realitatea virtuala se bazeaza pe completarea senzorialului cu calitatile ratiunii creatoare de notiuni , concepte, analize ale simbolurilor. Practic constiintei ii este oferit un surogat al realitatii adesea adaptat si imbogatit, pe care aceasta il preia si il judeca cu mijlocele realitatii reale. Intr-o judecata sintetica a realitatii si considerand forma si mijloacele sub care ne apare in orasul de azi cumuland toate tehnologiile ce o genereaza, realitatea virtuala poate fi inclusa in realitatea reala generand o realitatea mutanta as zice emergenta; acest lucru il consider clarificator si important pentru a nu disocia cele doua ipostaze ale realului, asa cum ar putea fi interpretate la prima vedere in titlul lucrarii abordate, decat pentru analiza si inelegera spatiului urban contemporan. </span></span></span></p> <p style="margin: 0.0px 0.0px 0.0px 0.0px; font: 11.0px Helvetica Neue Light"><span style="letter-spacing: 0.0px"><span class="Apple-style-span" style="font-size: small;"><span class="Apple-style-span" style="color:#C0C0C0;">Considerand spatiul ca si continator al eului si al principiilor filozofice implicate, putem deduce ca realitatea reala exista cu sau fara eu; insa realitatea virtuala nu exista fara eu; acesta exista doar in constiinta eului ca reactie la stimulii tehnologici indusi. Spatiul real este deci cognitiv, perceptiv, sustinut de o cunoastere analitica spre deosebire de spatiul virtual care necesita o cunoastere fenomenologica. Spatiul virtual poate fi evidentiat de spatiu real prin paralelism percetiv dezbrcat de toate atributele de perceptie fizica ale eului. Ramane practic un spatiu cel mult simbolic perceput prin rationament, legaturi, informatie, conexiuni si arhetipuri , surogat ce poate fi perceput si simbolistic sau platonician.</span></span></span></p> <p style="margin: 0.0px 0.0px 0.0px 0.0px; font: 11.0px Helvetica Neue Light; min-height: 13.0px"><span class="Apple-style-span" style="font-size: small;"><span class="Apple-style-span" style="color:#C0C0C0;"><span style="letter-spacing: 0.0px"></span><span class="Apple-tab-span" style="white-space:pre"> </span></span></span></p> <p style="margin: 0.0px 0.0px 0.0px 0.0px; font: 11.0px Helvetica Neue Light; min-height: 13.0px"><span class="Apple-style-span" style="font-size: small;"><span class="Apple-style-span" style="color:#C0C0C0;"><span style="letter-spacing: 0.0px"></span><br /></span></span></p> <p style="margin: 0.0px 0.0px 0.0px 0.0px; font: 11.0px Helvetica Neue Light"><span class="Apple-style-span" style="font-size: small;"><span class="Apple-style-span" style="color:#C0C0C0;"><br /></span></span></p><p style="margin: 0.0px 0.0px 0.0px 0.0px; font: 11.0px Helvetica Neue Light"><span class="Apple-style-span" style="color:#C0C0C0;"><span class="Apple-style-span" style="font-size: small;"><br /></span></span></p> <p style="margin: 0.0px 0.0px 0.0px 0.0px; font: 11.0px Helvetica Neue Light"><span style="letter-spacing: 0.0px"><span class="Apple-style-span" style="font-size: medium;"><span class="Apple-style-span" style="color:#666666;">O interpretare postmoderna a conceptului de realitate virtuala:</span></span></span></p> <p style="margin: 0.0px 0.0px 0.0px 0.0px; font: 11.0px Helvetica Neue Light; min-height: 13.0px"><span class="Apple-style-span" style="font-size: small;"><span class="Apple-style-span" style="color:#C0C0C0;"><span style="letter-spacing: 0.0px"></span><br /></span></span></p> <p style="margin: 0.0px 0.0px 0.0px 0.0px; font: 11.0px Helvetica Neue Light; min-height: 13.0px"><span class="Apple-style-span" style="font-size: small;"><span class="Apple-style-span" style="color:#C0C0C0;"><span style="letter-spacing: 0.0px"></span><br /></span></span></p> <p style="margin: 0.0px 0.0px 0.0px 0.0px; font: 11.0px Helvetica Neue Light"><span style="letter-spacing: 0.0px"><span class="Apple-style-span" style="font-size: small;"><span class="Apple-style-span" style="color:#C0C0C0;">Intr-o abordare postmoderna a realitatii virtuale putem considera spatiul virtual ca un surogat al spatiului real. Astfel spatiul virtual devine inlocuit in mod explicit cu un spatiu identic colat din secvente, sa zic 2d ale realitatii transpuse, interpretate si suprapuse rezultand un spatiu hiperdimensional unde orientarea x0y0z se transforma in orientarea printre arhetipuri informationale, simboluri si secvente ale realitatii 3d. </span></span></span></p> <p style="margin: 0.0px 0.0px 0.0px 0.0px; font: 11.0px Helvetica Neue Light"><span style="letter-spacing: 0.0px"><span class="Apple-style-span" style="font-size: small;"><span class="Apple-style-span" style="color:#C0C0C0;">Practic realitatea virtuala se bazeaza pe un colaj transmis de mesaje si simboluri fie ele mai mult sau mai putin abstracte sau copii fidele ale unor portiuni de mediul real. </span></span></span></p> <p style="margin: 0.0px 0.0px 0.0px 0.0px; font: 11.0px Helvetica Neue Light"><span style="letter-spacing: 0.0px"><span class="Apple-style-span" style="font-size: small;"><span class="Apple-style-span" style="color:#C0C0C0;">In fond realitatea virtuala isi trage radacinele din realitatea reala propunand elemente, fie acestea abstracte ce tin de arta fie replici mai mult sau mai putin asemantoare cu ipostaze reale; si este normal sa fie asa. Realitatea virtuala propune in fazele ei incipiente recreerea lumii de la 0 ( vezi imaginiile clisee ale sp.v. ca un spatiu vid) iar acesta nu se poate realiza decat in baza unor arhetipuri care sa poata fi asimilate de consumator. </span></span></span></p> <p style="margin: 0.0px 0.0px 0.0px 0.0px; font: 11.0px Helvetica Neue Light"><span style="letter-spacing: 0.0px"><span class="Apple-style-span" style="font-size: small;"><span class="Apple-style-span" style="color:#C0C0C0;">Un concept ce merita atentia unui studiu este realitatea virtuala bazata pe recusivitate a principiului perceptiei; Ma refer aici la acele spatii care includ consumatorul spatiului virtual ca element generator al acestuia. Astfel de exemple sunt instalatiile interactive din Roterdam , Body Moves si fantana Coroanei din parcul Milenim , Chicago. Sunt exemple in care colajul perceptiv, autocitarea recursiva si autoreferentialitatea sunt explicit exprimate in lucrari ce definesc premisele spatiului virtual in spatiul public.</span></span></span></p><p style="margin: 0.0px 0.0px 0.0px 0.0px; font: 11.0px Helvetica Neue Light"><span class="Apple-style-span" style="color:#C0C0C0;"><span class="Apple-style-span" style="font-size: small;"><br /></span></span></p><p style="margin: 0.0px 0.0px 0.0px 0.0px; font: 11.0px Helvetica Neue Light"><span class="Apple-style-span" style="color:#C0C0C0;"><span class="Apple-style-span" style="font-size: small;"><br /></span></span></p><p style="margin: 0.0px 0.0px 0.0px 0.0px; font: 11.0px Helvetica Neue Light"><span class="Apple-style-span" style="color:#C0C0C0;"><span class="Apple-style-span" style="font-size: small;"><br /></span></span></p>Rares V. DRAGANhttp://www.blogger.com/profile/01641848531075257498noreply@blogger.com0tag:blogger.com,1999:blog-6085086891183683789.post-65084130961194420572009-10-25T15:24:00.000-07:002009-10-25T15:54:23.743-07:00Note<p style="margin: 0.0px 0.0px 0.0px 0.0px; font: 12.0px Helvetica Neue Light; min-height: 15.0px"><span style="letter-spacing: 0.0px"></span><span class="Apple-style-span" style="color:#C0C0C0;"><br /></span></p> <p style="margin: 0.0px 0.0px 0.0px 0.0px; font: 12.0px Helvetica Neue Light"><span style="letter-spacing: 0.0px"><span class="Apple-style-span" style="color:#C0C0C0;">"And you don't have to think immediatly of synthetic worlds and video games. There's no need to speak of virtual worlds in networks to refer to virtual architecture. Thousands of gradiations between the real and the imaginary have always existed in speech, books, actors' gestures and the taradiddles of those who lie to take people in or colour a story. Virtuality was not created yesterday."</span></span></p> <p style="margin: 0.0px 0.0px 0.0px 0.0px; font: 12.0px Helvetica Neue Light; min-height: 15.0px"><span class="Apple-style-span" style="color:#C0C0C0;"><span style="letter-spacing: 0.0px"></span></span></p><p style="margin: 0.0px 0.0px 0.0px 0.0px; font: 9.0px Helvetica Neue"><span style="font: 6.7px Helvetica; letter-spacing: 0.0px"><sup><span class="Apple-style-span" style="color:#999999;">1</span></sup></span><span style="letter-spacing: 0.0px"><span class="Apple-style-span" style="color:#999999;"> SPACE BETWEEN PEOPLE, Stephan Doesinger, ed. Prestel Verlag, Munich, Berlin, London, New York, 2008, p. 47</span></span></p><div><span class="Apple-style-span" style="font-family:'Helvetica Neue', serif;font-size:78%;"><span class="Apple-style-span" style="font-size:9px;"><span class="Apple-style-span" style="color:#C0C0C0;"><br /></span></span></span></div><p></p> <p style="margin: 0.0px 0.0px 0.0px 0.0px; font: 12.0px Helvetica Neue Light; min-height: 15.0px"><span class="Apple-style-span" style="color:#C0C0C0;"><span style="letter-spacing: 0.0px"></span><br /></span></p><p style="margin: 0.0px 0.0px 0.0px 0.0px; font: 12.0px Helvetica Neue Light; min-height: 15.0px"><span class="Apple-style-span" style="color:#C0C0C0;"><br /></span></p> <p style="margin: 0.0px 0.0px 0.0px 0.0px; font: 12.0px Helvetica Neue Light; min-height: 15.0px"><span class="Apple-style-span" style="color:#C0C0C0;"><span style="letter-spacing: 0.0px"></span><br /></span></p> <p style="margin: 0.0px 0.0px 0.0px 0.0px; font: 12.0px Helvetica Neue Light"><span style="letter-spacing: 0.0px"><span class="Apple-style-span" style="color:#C0C0C0;">"Due to new technologies that have become available, the public wants to be entertained through interaction - not just by storytelling. In interaction, the user interacts with the scenario. Of course the storyline still exists, but the outcome is always diffrent for each user and for each time [...]"</span></span></p> <p style="margin: 0.0px 0.0px 0.0px 0.0px; font: 12.0px Helvetica Neue Light; min-height: 15.0px"><span class="Apple-style-span" style="color:#C0C0C0;"><span style="letter-spacing: 0.0px"></span></span></p><p style="margin: 0.0px 0.0px 0.0px 0.0px; font: 10.0px Helvetica"><span style="font: 6.7px Helvetica; letter-spacing: 0.0px"><sup><span class="Apple-style-span" style="color:#999999;">2</span></sup></span><span style="letter-spacing: 0.0px"><span class="Apple-style-span" style="color:#999999;"> SPACE FIGHTER - THE EVOLUTIONARY CITY(GAME:), MVRDV, DSD in collaboration with the Berlage Institute, MIT and cThrough, ed. Actrar 2007, p. 27</span></span></p><p style="margin: 0.0px 0.0px 0.0px 0.0px; font: 10.0px Helvetica"><span class="Apple-style-span" style="color:#C0C0C0;"><br /></span></p><p style="margin: 0.0px 0.0px 0.0px 0.0px; font: 10.0px Helvetica"><span class="Apple-style-span" style="color:#C0C0C0;"><br /></span></p><p style="margin: 0.0px 0.0px 0.0px 0.0px; font: 10.0px Helvetica"><span class="Apple-style-span" style="color:#C0C0C0;"><br /></span></p><p></p> <p style="margin: 0.0px 0.0px 0.0px 0.0px; font: 12.0px Helvetica Neue Light; min-height: 15.0px"><span class="Apple-style-span" style="color:#C0C0C0;"><span style="letter-spacing: 0.0px"></span><br /></span></p> <p style="margin: 0.0px 0.0px 0.0px 0.0px; font: 12.0px Helvetica Neue Light"><span style="letter-spacing: 0.0px"><span class="Apple-style-span" style="color:#C0C0C0;">"Beauty however, has to be seenin a Darwinian way, as an advantage in order to survive. Beauty becomes a weapon of attraction that increases the chance of procreation and consequently for the survival of the genes. Urban Beauty(or Architecture) can thus be interpretedas an advantage that generatesattracts interest and ensures the preservation of the city or region. Beauty in a Darwinian perspective , is extremly practical and an indispensabile weapon for survival, of buildings, cities and regions."</span></span></p> <p style="margin: 0.0px 0.0px 0.0px 0.0px; font: 12.0px Helvetica Neue Light; min-height: 15.0px"><span class="Apple-style-span" style="color:#C0C0C0;"><span style="letter-spacing: 0.0px"></span></span></p><p style="margin: 0.0px 0.0px 0.0px 0.0px; font: 10.0px Helvetica"><span style="font: 6.7px Helvetica; letter-spacing: 0.0px"><i><sup><span class="Apple-style-span" style="color:#999999;">3</span></sup></i></span><span style="letter-spacing: 0.0px"><i><span class="Apple-style-span" style="color:#999999;"> ibid.</span></i><span class="Apple-style-span" style="color:#999999;">, p.30</span></span></p><p></p> <p style="margin: 0.0px 0.0px 0.0px 0.0px; font: 12.0px Helvetica Neue Light; min-height: 15.0px"><span class="Apple-style-span" style="color:#C0C0C0;"><span style="letter-spacing: 0.0px"></span><br /></span></p> <p style="margin: 0.0px 0.0px 0.0px 0.0px; font: 12.0px Helvetica Neue Light; min-height: 15.0px"><span class="Apple-style-span" style="color:#C0C0C0;"><span style="letter-spacing: 0.0px"></span><br /></span></p> <p style="margin: 0.0px 0.0px 0.0px 0.0px; font: 12.0px Helvetica Neue Light"><span style="letter-spacing: 0.0px"><span class="Apple-style-span" style="color:#C0C0C0;">"Being urban and communicative are predominant fetures of contemporary and future societies. In everyday life, these pre-conditions of our existence have become so natural that a distinctive non-urban and non-mediated life to be exotic, unthinkable, or is romaticaly mourned for."</span></span></p> <p style="margin: 0.0px 0.0px 0.0px 0.0px; font: 12.0px Helvetica Neue Light; min-height: 15.0px"><span class="Apple-style-span" style="color:#C0C0C0;"><span style="letter-spacing: 0.0px"></span></span></p><p style="margin: 0.0px 0.0px 0.0px 0.0px; font: 10.0px Helvetica"><span style="font: 6.7px Helvetica; letter-spacing: 0.0px"><sup><span class="Apple-style-span" style="color:#999999;">4</span></sup></span><span style="letter-spacing: 0.0px"><span class="Apple-style-span" style="color:#999999;"> Media and urban space: understanding, investigating and approaching mediacity, Frank Eckardt, ed. Frank&Time GmbH, 2008, p.7</span></span></p><p></p> <p style="margin: 0.0px 0.0px 0.0px 0.0px; font: 12.0px Helvetica Neue Light; min-height: 15.0px"><span class="Apple-style-span" style="color:#C0C0C0;"><span style="letter-spacing: 0.0px"></span><br /></span></p> <p style="margin: 0.0px 0.0px 0.0px 0.0px; font: 12.0px Helvetica Neue Light; min-height: 15.0px"><span class="Apple-style-span" style="color:#C0C0C0;"><span style="letter-spacing: 0.0px"></span><br /></span></p> <p style="margin: 0.0px 0.0px 0.0px 0.0px; font: 12.0px Helvetica Neue Light"><span style="letter-spacing: 0.0px"><span class="Apple-style-span" style="color:#C0C0C0;">"As a matter of fact, electronic media are taking possession of private and public urban spaces, transforming the contemporary city into a mediacity."</span></span></p> <p style="margin: 0.0px 0.0px 0.0px 0.0px; font: 12.0px Helvetica Neue Light; min-height: 15.0px"><span class="Apple-style-span" style="color:#C0C0C0;"><span style="letter-spacing: 0.0px"></span><br /></span></p> <p style="margin: 0.0px 0.0px 0.0px 0.0px; font: 12.0px Helvetica Neue Light; min-height: 15.0px"><span class="Apple-style-span" style="color:#C0C0C0;"><span style="letter-spacing: 0.0px"></span><br /></span></p> <p style="margin: 0.0px 0.0px 0.0px 0.0px; font: 12.0px Helvetica Neue Light"><span style="letter-spacing: 0.0px"><span class="Apple-style-span" style="color:#C0C0C0;">"The contemporary city, in fact, with its exposure to electronic media, can be conisdered an augmented city, if “ augmented space is the physical space overlaid with dynamically changing information (Manovich 2002) in a definition which aims at re-conceptualisation augmentation as an idea and cultural and aestethic practice rather than technology."</span></span></p> <p style="margin: 0.0px 0.0px 0.0px 0.0px; font: 12.0px Helvetica Neue Light; min-height: 15.0px"><span class="Apple-style-span" style="color:#C0C0C0;"><span style="letter-spacing: 0.0px"></span></span></p><p style="margin: 0.0px 0.0px 0.0px 0.0px; font: 10.0px Helvetica"><span style="font: 6.7px Helvetica; letter-spacing: 0.0px"><sup><span class="Apple-style-span" style="color:#999999;">5</span></sup></span><span style="letter-spacing: 0.0px"><span class="Apple-style-span" style="color:#999999;"> Manovich L., The Poetics of Augmented Space, </span><i><span class="Apple-style-span" style="color:#999999;">apud</span></i><span class="Apple-style-span" style="color:#999999;"> Media and urban space: understanding, investigating and approaching mediacity, Frank Eckardt, ed. Frank&Time GmbH, 2008, p.9</span></span></p><p></p> <p style="margin: 0.0px 0.0px 0.0px 0.0px; font: 12.0px Helvetica Neue Light; min-height: 15.0px"><span class="Apple-style-span" style="color:#C0C0C0;"><span style="letter-spacing: 0.0px"></span><br /></span></p> <p style="margin: 0.0px 0.0px 0.0px 0.0px; font: 12.0px Helvetica Neue Light"><span style="letter-spacing: 0.0px"><span class="Apple-style-span" style="color:#C0C0C0;">"Any technology tends to create a new human enviroment...Technological enviroments are not merely passive containers of people but are active proceses that reshape people and technologies alike."</span></span></p> <p style="margin: 0.0px 0.0px 0.0px 0.0px; font: 12.0px Helvetica Neue Light; min-height: 15.0px"><span class="Apple-style-span" style="color:#C0C0C0;"><span style="letter-spacing: 0.0px"></span></span></p><p style="margin: 0.0px 0.0px 0.0px 0.0px; font: 10.0px Helvetica"><span style="font: 6.7px Helvetica; letter-spacing: 0.0px"><sup><span class="Apple-style-span" style="color:#999999;">6</span></sup></span><span style="letter-spacing: 0.0px"><span class="Apple-style-span" style="color:#999999;"> Mcluhan,1962, apud Frank Eckardt et al, Mediacity - Situations, Practices and encounters ed.Frank&Timme GmbH Verlag fur wissenschaftliche Literatur, Berlin, 2008</span></span></p><p></p> <p style="margin: 0.0px 0.0px 0.0px 0.0px; font: 12.0px Helvetica Neue Light; min-height: 15.0px"><span class="Apple-style-span" style="color:#C0C0C0;"><span style="letter-spacing: 0.0px"></span><br /></span></p> <p style="margin: 0.0px 0.0px 0.0px 0.0px; font: 12.0px Helvetica Neue Light; min-height: 15.0px"><span class="Apple-style-span" style="color:#C0C0C0;"><span style="letter-spacing: 0.0px"></span><br /></span></p> <p style="margin: 0.0px 0.0px 0.0px 0.0px; font: 12.0px Helvetica Neue Light; min-height: 15.0px"><span class="Apple-style-span" style="color:#C0C0C0;"><span style="letter-spacing: 0.0px"></span><br /></span></p> <p style="margin: 0.0px 0.0px 0.0px 0.0px; font: 12.0px Helvetica Neue Light; min-height: 15.0px"><span class="Apple-style-span" style="color:#C0C0C0;"><br /></span><span class="Apple-style-span" style="color:#C0C0C0;"><span style="letter-spacing: 0.0px"></span></span></p><p style="margin: 0.0px 0.0px 0.0px 0.0px; font: 12.0px Helvetica Neue Light; min-height: 15.0px"><span class="Apple-style-span" style="color:#C0C0C0;"><span style="letter-spacing: 0.0px"></span></span></p><p style="margin: 0.0px 0.0px 0.0px 0.0px; font: 12.0px Helvetica Neue Light; min-height: 15.0px"><span class="Apple-style-span" style="color:#C0C0C0;"><span style="letter-spacing: 0.0px"></span></span></p><p style="margin: 0.0px 0.0px 0.0px 0.0px; font: 12.0px Helvetica Neue Light; min-height: 15.0px"><span style="letter-spacing: 0.0px"></span></p>Rares V. DRAGANhttp://www.blogger.com/profile/01641848531075257498noreply@blogger.com0tag:blogger.com,1999:blog-6085086891183683789.post-43914429891832451872009-10-25T14:45:00.000-07:002009-10-25T15:19:48.007-07:00Carti online<p style="margin: 0.0px 0.0px 0.0px 0.0px; font: 12.0px Helvetica Neue Light; min-height: 15.0px"><span style="letter-spacing: 0.0px"></span><span class="Apple-style-span" style=" white-space: nowrap; font-family:Arial, sans-serif;"></span></p><h1 class="title" dir="ltr" style="font-weight: bold; display: inline; margin-left: 2px; "><span class="Apple-style-span" style="font-size:small;"><span class="Apple-style-span" style="color:#666666;">Media and urban space: understanding, investigating and approaching mediacity</span></span></h1><span class="Apple-style-span" style="font-size:small;"><span class="Apple-style-span" style="color:#666666;"> </span></span><span class="addmd" style=" margin-left: 2px; font-family:Arial, sans-serif;"><span class="Apple-style-span" style="font-size:small;"><span class="Apple-style-span" style="color:#666666;">By Frank Eckardt, 2008</span></span></span><p></p> <p style="margin: 0.0px 0.0px 0.0px 0.0px; font: 11.0px Lucida Grande"><span style="letter-spacing: 0.0px"><iframe frameborder="0" scrolling="no" style="border:0px" src="http://books.google.com/books?id=b9kk7DmNbu0C&lpg=PP1&pg=PP1&output=embed" width="500" height="500"></iframe></span></p> <p style="margin: 0.0px 0.0px 0.0px 0.0px; font: 11.0px Lucida Grande; min-height: 13.0px"><span style="letter-spacing: 0.0px"></span><br /></p> <p style="margin: 0.0px 0.0px 0.0px 0.0px; font: 11.0px Lucida Grande; min-height: 13.0px"><span style="letter-spacing: 0.0px"></span><br /></p> <p style="margin: 0.0px 0.0px 0.0px 0.0px; font: 11.0px Lucida Grande; min-height: 13.0px"><span style="letter-spacing: 0.0px"></span><span class="Apple-style-span" style=" white-space: nowrap; font-family:Arial, sans-serif;"></span></p><h1 class="title" dir="ltr" style="font-weight: bold; display: inline; margin-left: 2px; "><span class="Apple-style-span" style="font-size:small;"><span class="Apple-style-span" style="color:#666666;">MEDIACITY. Situations, Practices and Encounters</span></span></h1><span class="Apple-style-span" style="font-size:small;"><span class="Apple-style-span" style="color:#666666;"> </span></span><span class="addmd" style=" margin-left: 2px; font-family:Arial, sans-serif;"><span class="Apple-style-span" style="font-size:small;"><span class="Apple-style-span" style="color:#666666;">edited by Frank Eckardt, Jens Geelhaar, Laura Colini, Katharine S. Willis, Konstantinos Chorianopoulos, Ralf Hennig, 2008</span></span></span><p></p><div><span class="Apple-style-span" style="font-family:'Lucida Grande', sans-serif;font-size:100%;"><span class="Apple-style-span" style=" white-space: pre;font-size:11px;"><br /></span></span></div><div><span class="Apple-style-span" style="font-family:Arial, sans-serif;font-size:100%;"><span class="Apple-style-span" style=" white-space: nowrap;font-size:13px;"><span class="Apple-style-span" style=" white-space: pre; font-family:'Lucida Grande';font-size:11px;"><iframe frameborder="0" scrolling="no" style="border:0px" src="http://books.google.com/books?id=c-L98Tqmcb0C&lpg=PP1&pg=PP1&output=embed" width="500" height="500"></iframe></span></span></span></div> <p style="margin: 0.0px 0.0px 0.0px 0.0px; font: 11.0px Lucida Grande; min-height: 13.0px"><span style="letter-spacing: 0.0px"></span><br /></p> <p style="margin: 0.0px 0.0px 0.0px 0.0px; font: 11.0px Lucida Grande; min-height: 13.0px"><span style="letter-spacing: 0.0px"></span><span class="Apple-style-span" style=" white-space: nowrap; font-family:Arial, sans-serif;"></span></p><h1 class="title" dir="ltr" style="font-weight: bold; display: inline; margin-left: 2px; "><span class="Apple-style-span" style="font-size:small;"><span class="Apple-style-span" style="color:#666666;">Augmented Urban Spaces: Articulating the Physical and Electronic City</span></span></h1><span class="Apple-style-span" style="font-size:small;"><span class="Apple-style-span" style="color:#666666;"> </span></span><span class="addmd" style=" margin-left: 2px; font-family:Arial, sans-serif;"><span class="Apple-style-span" style="font-size:small;"><span class="Apple-style-span" style="color:#666666;">By Alessandro Aurigi, Fiorella De Cindio, 2008</span></span></span><p></p><p style="margin: 0.0px 0.0px 0.0px 0.0px; font: 11.0px Lucida Grande; min-height: 13.0px"><br /></p> <p style="margin: 0.0px 0.0px 0.0px 0.0px; font: 11.0px Lucida Grande"><span style="letter-spacing: 0.0px"><iframe frameborder="0" scrolling="no" style="border:0px" src="http://books.google.com/books?id=-5Y_ws-qaLQC&lpg=PP1&pg=PP1&output=embed" width="500" height="500"></iframe></span></p> <p style="margin: 0.0px 0.0px 0.0px 0.0px; font: 11.0px Lucida Grande; min-height: 13.0px"><span style="letter-spacing: 0.0px"></span><br /></p> <p style="margin: 0.0px 0.0px 0.0px 0.0px; font: 11.0px Lucida Grande; min-height: 13.0px"><span style="letter-spacing: 0.0px"></span><br /></p><p style="margin: 0.0px 0.0px 0.0px 0.0px; font: 11.0px Lucida Grande; min-height: 13.0px"><br /></p><p style="margin: 0.0px 0.0px 0.0px 0.0px; font: 11.0px Lucida Grande; min-height: 13.0px"><br /></p> <p style="margin: 0.0px 0.0px 0.0px 0.0px; font: 11.0px Lucida Grande; min-height: 13.0px"><span style="letter-spacing: 0.0px"></span><span class="Apple-style-span" style=" white-space: nowrap; font-family:Arial, sans-serif;"></span></p><h1 class="title" dir="ltr" style="font-weight: bold; display: inline; margin-left: 2px; "><span class="Apple-style-span" style="font-size:small;"><span class="Apple-style-span" style="color:#666666;">Stepping Into Virtual Reality</span></span></h1><span class="Apple-style-span" style="font-size:small;"><span class="Apple-style-span" style="color:#666666;"> </span></span><span class="addmd" style=" margin-left: 2px; font-family:Arial, sans-serif;"><span class="Apple-style-span" style="font-size:small;"><span class="Apple-style-span" style="color:#666666;">By Mario Arturo Gutiérrez Alonso, Mario A. Gutierrez, Frédéric Vexo, Daniel Thalmann, 2008</span></span></span><p></p> <p style="margin: 0.0px 0.0px 0.0px 0.0px; font: 11.0px Lucida Grande; min-height: 13.0px"><span style="letter-spacing: 0.0px"></span><span class="Apple-style-span" style=" white-space: pre; font-family:'Lucida Grande';"><iframe frameborder="0" scrolling="no" style="border:0px" src="http://books.google.com/books?id=yI8o7osCuQoC&lpg=PA107&dq=emergent%20reality%20in%20urban%20space&lr=&as_drrb_is=b&as_minm_is=0&as_miny_is=2006&as_maxm_is=0&as_maxy_is=2009&as_brr=0&pg=PR2&output=embed" width="500" height="500"></iframe></span></p><p style="margin: 0.0px 0.0px 0.0px 0.0px; font: 11.0px Lucida Grande; min-height: 13.0px"><span class="Apple-style-span" style="white-space: pre;"><br /></span></p><p style="margin: 0.0px 0.0px 0.0px 0.0px; font: 11.0px Lucida Grande; min-height: 13.0px"><span class="Apple-style-span" style="white-space: pre;"><span class="Apple-style-span" style="color:#666666;"><br /></span></span></p><p style="margin: 0.0px 0.0px 0.0px 0.0px; font: 11.0px Lucida Grande; min-height: 13.0px"><span class="Apple-style-span" style="white-space: pre;"><span class="Apple-style-span" style="color:#666666;"><br /></span></span></p><p style="margin: 0.0px 0.0px 0.0px 0.0px; font: 11.0px Lucida Grande; min-height: 13.0px"><span class="Apple-style-span" style="white-space: pre;"><span class="Apple-style-span" style="font-size: small;"><span class="Apple-style-span" style="color:#666666;"><br /></span></span></span></p><p style="margin: 0.0px 0.0px 0.0px 0.0px; font: 11.0px Lucida Grande; min-height: 13.0px"><span class="Apple-style-span" style="white-space: pre;"><span class="Apple-style-span" style="font-family: Arial, sans-serif; white-space: nowrap; "></span></span></p><h1 class="title" dir="ltr" style="font-weight: bold; display: inline; margin-left: 2px; "><span class="Apple-style-span" style="font-size: small;"><span class="Apple-style-span" style="color:#666666;">Virtual Systems and Multimedia: 13th International Conference, VSMM 2007 ...</span></span></h1><span class="Apple-style-span" style="font-size: small;"><span class="Apple-style-span" style="color:#666666;"> </span></span><span class="addmd" style="font-family: Arial, sans-serif; margin-left: 2px; "><span class="Apple-style-span" style="font-size: small;"><span class="Apple-style-span" style="color:#666666;">By Theodor G. Wyeld, Sarah Kenderdine, Michael Docherty</span></span></span><p></p><div><span class="Apple-style-span" style="font-family:Arial, sans-serif;"><span class="Apple-style-span" style="white-space: nowrap; "><span class="Apple-style-span" style="font-family: 'Lucida Grande'; white-space: pre; "><span class="Apple-style-span" style="font-size: small;"><span class="Apple-style-span" style="color:#666666;"><iframe frameborder="0" scrolling="no" style="border:0px" src="http://books.google.com/books?id=PIoT-9wMHUkC&lpg=PR2&pg=PR2&output=embed" width="500" height="500"></iframe></span></span></span></span></span></div><div><span class="Apple-style-span" style="font-family:'Lucida Grande', sans-serif;"><span class="Apple-style-span" style="white-space: pre; "><span class="Apple-style-span" style="font-size: small;"><span class="Apple-style-span" style="color:#666666;"><br /></span></span></span></span></div><div><span class="Apple-style-span" style="font-family:'Lucida Grande', sans-serif;"><span class="Apple-style-span" style="white-space: pre; "><span class="Apple-style-span" style="font-size: small;"><span class="Apple-style-span" style="color:#666666;"><br /></span></span></span></span></div><div><span class="Apple-style-span" style="font-family:'Lucida Grande', sans-serif;"><span class="Apple-style-span" style="white-space: pre; "><span class="Apple-style-span" style="font-size: small;"><span class="Apple-style-span" style="color:#666666;"><br /></span></span></span></span></div><div><span class="Apple-style-span" style="font-family:'Lucida Grande', sans-serif;"><span class="Apple-style-span" style="white-space: pre; "><span class="Apple-style-span" style="font-family: Arial, sans-serif; white-space: nowrap; "><h1 class="title" dir="ltr" style="font-weight: bold; display: inline; margin-left: 2px; "><span class="Apple-style-span" style="font-size: small;"><span class="Apple-style-span" style="color:#666666;">The Art and Science of Interface and Interaction Design, Volume 1</span></span></h1><span class="Apple-style-span" style="font-size: small;"><span class="Apple-style-span" style="color:#666666;"> </span></span><span class="addmd" style="font-family: Arial, sans-serif; margin-left: 2px; "><span class="Apple-style-span" style="font-size: small;"><span class="Apple-style-span" style="color:#666666;">By Christa Sommerer, L. C. Jain, Laurent Mignonneau</span></span></span></span></span></span></div><div><span class="Apple-style-span" style="font-family:Arial, sans-serif;"><span class="Apple-style-span" style="white-space: nowrap; "><span class="Apple-style-span" style="font-family: 'Lucida Grande'; white-space: pre; "><span class="Apple-style-span" style="font-size: small;"><span class="Apple-style-span" style="color:#666666;"><iframe frameborder="0" scrolling="no" style="border:0px" src="http://books.google.com/books?id=2a4CRJviwGkC&lpg=PP1&pg=PP1&output=embed" width="500" height="500"></iframe></span></span></span></span></span></div><div><span class="Apple-style-span" style="font-family:'Lucida Grande', sans-serif;"><span class="Apple-style-span" style="white-space: pre; "><span class="Apple-style-span" style="font-size: small;"><span class="Apple-style-span" style="color:#666666;"><br /></span></span></span></span></div><div><span class="Apple-style-span" style="font-family:'Lucida Grande', sans-serif;"><span class="Apple-style-span" style="white-space: pre; "><span class="Apple-style-span" style="font-size: small;"><span class="Apple-style-span" style="color:#666666;"><br /></span></span></span></span></div><div><span class="Apple-style-span" style="font-family:'Lucida Grande', sans-serif;"><span class="Apple-style-span" style="white-space: pre; "><span class="Apple-style-span" style="font-size: small;"><span class="Apple-style-span" style="color:#666666;"><br /></span></span></span></span></div><div><span class="Apple-style-span" style="font-family:'Lucida Grande', sans-serif;"><span class="Apple-style-span" style="white-space: pre; "><span class="Apple-style-span" style="font-family: Arial, sans-serif; white-space: nowrap; "><h1 class="title" dir="ltr" style="font-weight: bold; display: inline; margin-left: 2px; "><span class="Apple-style-span" style="font-size: small;"><span class="Apple-style-span" style="color:#666666;">Cyberculture and New Media.</span></span></h1><span class="Apple-style-span" style="font-size: small;"><span class="Apple-style-span" style="color:#666666;"> </span></span><span class="addmd" style="font-family: Arial, sans-serif; margin-left: 2px; "><span class="Apple-style-span" style="font-size: small;"><span class="Apple-style-span" style="color:#666666;">By Francisco J. Ricardo</span></span></span></span></span></span></div><div><span class="Apple-style-span" style="font-family:Arial, sans-serif;"><span class="Apple-style-span" style="white-space: nowrap; "><span class="Apple-style-span" style="font-family: 'Lucida Grande'; white-space: pre; "><span class="Apple-style-span" style="font-size: small;"><span class="Apple-style-span" style="color:#666666;"><iframe frameborder="0" scrolling="no" style="border:0px" src="http://books.google.com/books?id=-_XvCZ0JdAsC&lpg=PP1&pg=PP1&output=embed" width="500" height="500"></iframe></span></span></span></span></span></div><div><span class="Apple-style-span" style="font-family:Arial, sans-serif;"><span class="Apple-style-span" style="white-space: nowrap; "><span class="Apple-style-span" style="font-size: small;"><span class="Apple-style-span" style="color:#666666;"><br /></span></span></span></span></div><div><span class="Apple-style-span" style="font-family:Arial, sans-serif;"><span class="Apple-style-span" style="white-space: nowrap; "><span class="Apple-style-span" style="font-size: small;"><span class="Apple-style-span" style="color:#666666;"><br /></span></span></span></span></div><div><span class="Apple-style-span" style="font-family:Arial, sans-serif;"><span class="Apple-style-span" style="white-space: nowrap; "><h1 class="title" dir="ltr" style="font-weight: bold; display: inline; margin-left: 2px; "><span class="Apple-style-span" style="font-size: small;"><span class="Apple-style-span" style="color:#666666;">Media Facades: History, Technology and Content</span></span></h1><span class="Apple-style-span" style="font-size: small;"><span class="Apple-style-span" style="color:#666666;"> </span></span><span class="addmd" style="font-family: Arial, sans-serif; margin-left: 2px; "><span class="Apple-style-span" style="font-size: small;"><span class="Apple-style-span" style="color:#666666;">By Matthias Hank Häusler, 2009</span></span></span></span></span></div><div><span class="Apple-style-span" style="font-family:Arial, sans-serif;font-size:100%;"><span class="Apple-style-span" style="font-size: 13px; white-space: nowrap;"><br /></span></span></div><div><span class="Apple-style-span" style="font-family:Arial, sans-serif;font-size:100%;"><span class="Apple-style-span" style="font-size: 13px; white-space: nowrap;"><br /></span></span></div><div><span class="Apple-style-span" style="font-family:Arial, sans-serif;font-size:100%;"><span class="Apple-style-span" style="font-size: 13px; white-space: nowrap;"><br /></span></span></div><div><span class="Apple-style-span" style="font-family:Arial, sans-serif;font-size:100%;"><span class="Apple-style-span" style="font-size: 13px; white-space: nowrap;"><br /></span></span></div><div><span class="Apple-style-span" style="font-family:Arial, sans-serif;font-size:100%;"><span class="Apple-style-span" style="font-size: 13px; white-space: nowrap;"><br /></span></span></div><div><span class="Apple-style-span" style="font-family:Arial, sans-serif;font-size:100%;"><span class="Apple-style-span" style="font-size: 13px; white-space: nowrap;"><br /></span></span></div><div><span class="Apple-style-span" style="font-family:Arial, sans-serif;font-size:100%;"><span class="Apple-style-span" style="font-size: 13px; white-space: nowrap;"><br /></span></span></div><p style="margin: 0.0px 0.0px 0.0px 0.0px; font: 11.0px Lucida Grande; min-height: 13.0px"><span class="Apple-style-span" style="white-space: pre;"><br /></span></p><p style="margin: 0.0px 0.0px 0.0px 0.0px; font: 11.0px Lucida Grande; min-height: 13.0px"><span class="Apple-style-span" style="white-space: pre;"><br /></span></p><p style="margin: 0.0px 0.0px 0.0px 0.0px; font: 11.0px Lucida Grande; min-height: 13.0px"><span class="Apple-style-span" style="white-space: pre;"><br /></span></p>Rares V. DRAGANhttp://www.blogger.com/profile/01641848531075257498noreply@blogger.com1tag:blogger.com,1999:blog-6085086891183683789.post-37722256032872809342009-10-24T13:08:00.000-07:002009-10-24T13:25:50.245-07:00BaaStuds<span class="Apple-style-span" style="font-family:Arial, sans-serif;font-size:85%;"><span class="Apple-style-span" style=" white-space: pre;font-size:10px;"><div><br /></div><div><span class="Apple-style-span" style=" white-space: normal; font-size:12px;">We took to the hills of Wales armed to the teeth with sheep, LEDs and a camera, to create a huge amazing LED display. Of sorts. For more info search for samsung LED TV or visit samsung.com/LED</span></div><div><br /></div><span class="Apple-style-span" style="font-size: 10px; "><object width="560" height="340"><param name="movie" value="http://www.youtube.com/v/D2FX9rviEhw&hl=en&fs=1&rel=0&color1=0x3a3a3a&color2=0x999999"></param><param name="allowFullScreen" value="true"></param><param name="allowscriptaccess" value="always"></param><embed src="http://www.youtube.com/v/D2FX9rviEhw&hl=en&fs=1&rel=0&color1=0x3a3a3a&color2=0x999999" type="application/x-shockwave-flash" allowscriptaccess="always" allowfullscreen="true" width="560" height="340"></embed></object></span></span></span>Rares V. DRAGANhttp://www.blogger.com/profile/01641848531075257498noreply@blogger.com0tag:blogger.com,1999:blog-6085086891183683789.post-69635054763963854412009-05-16T14:28:00.000-07:002009-10-25T14:44:05.282-07:00MEDIATECTURE - Prezentare Zilele Arhitecturii Cluj 17 mai 2009<div><br /></div><iframe allowfullscreen='allowfullscreen' webkitallowfullscreen='webkitallowfullscreen' mozallowfullscreen='mozallowfullscreen' width='320' height='266' src='https://www.blogger.com/video.g?token=AD6v5dyllfidTxv5kuQvrJkL3FzthU-HEZP8ap8n2MM53UD26_H7dgZLPXwTanD35ptKdRp5GPMTDAH4pl5gJLOAwg' class='b-hbp-video b-uploaded' frameborder='0'></iframe>Rares V. DRAGANhttp://www.blogger.com/profile/01641848531075257498noreply@blogger.com0tag:blogger.com,1999:blog-6085086891183683789.post-51990525189538705452009-03-24T10:48:00.000-07:002009-03-24T10:50:06.073-07:00PRESENTATION 24 march1. Informational vs Information<div><br /></div><div>2. Space perception</div><div><br /></div><div>3. Integrated technology. Comunication in Public Space</div>Rares V. DRAGANhttp://www.blogger.com/profile/01641848531075257498noreply@blogger.com0tag:blogger.com,1999:blog-6085086891183683789.post-16956948403449164242009-01-09T08:29:00.000-08:002009-10-25T14:25:40.281-07:00BIOGRAPHY:<!--StartFragment--> <p class="MsoNormal" style="text-align:justify"><b><span style="font-family:'Myriad Pro';"><span class="Apple-style-span" style="font-size:small;"><span class="Apple-style-span"><span class="Apple-style-span"><span class="Apple-style-span"><span class="Apple-style-span" style="color:#999999;">Metapolis, dictionary of advanced architecture, </span></span></span></span></span></span></b><span style="font-family:'Myriad Pro';"><span class="Apple-style-span" style="font-size:small;"><span class="Apple-style-span"><span class="Apple-style-span"><span class="Apple-style-span"><span class="Apple-style-span" style="color:#999999;">ed.Actar 2006</span></span></span></span></span><span class="Apple-style-span" style="font-size:small;"><span class="Apple-style-span"><span class="Apple-style-span"><span class="Apple-style-span"><span class="Apple-style-span" style="color:#999999;"><o:p></o:p></span></span></span></span></span></span></p> <p class="MsoNormal" style="text-align:justify"><b><span style="font-family:'Myriad Pro';"><span class="Apple-style-span" style="font-size:small;"><span class="Apple-style-span"><span class="Apple-style-span"><span class="Apple-style-span"><span class="Apple-style-span" style="color:#999999;">Ciprian Mihali</span></span></span></span></span></span></b><span style="font-family:'Myriad Pro';"><span class="Apple-style-span" style="font-size:small;"><span class="Apple-style-span"><span class="Apple-style-span"><span class="Apple-style-span"><span class="Apple-style-span" style="color:#999999;"> – Inventarea spatiului: arhitecturi ale experientei cotidiene, </span></span></span></span></span><i><span class="Apple-style-span" style="font-size:small;"><span class="Apple-style-span"><span class="Apple-style-span"><span class="Apple-style-span"><span class="Apple-style-span" style="color:#999999;">ed. Paidea, Bucuresti, 2001</span></span></span></span></span><span class="Apple-style-span" style="font-size:small;"><span class="Apple-style-span"><span class="Apple-style-span"><span class="Apple-style-span"><span class="Apple-style-span" style="color:#999999;"><o:p></o:p></span></span></span></span></span></i></span></p> <p class="MsoNormal"><b><span style="font-family:'Myriad Pro';"><span class="Apple-style-span" style="font-size:small;"><span class="Apple-style-span"><span class="Apple-style-span"><span class="Apple-style-span"><span class="Apple-style-span" style="color:#999999;">Ciprian Mihali</span></span></span></span></span></span></b><span style="font-family:'Myriad Pro';"><span class="Apple-style-span" style="font-size:small;"><span class="Apple-style-span"><span class="Apple-style-span"><span class="Apple-style-span"><span class="Apple-style-span" style="color:#999999;"> – Arta, thenologie si spatiu public, cooronator, ed.Paidea, 2005</span></span></span></span></span><span class="Apple-style-span" style="font-size:small;"><span class="Apple-style-span"><span class="Apple-style-span"><span class="Apple-style-span"><span class="Apple-style-span" style="color:#999999;"><o:p></o:p></span></span></span></span></span></span></p> <p class="MsoNormal"><b><span style="font-family:'Myriad Pro';"><span class="Apple-style-span" style="font-size:small;"><span class="Apple-style-span"><span class="Apple-style-span"><span class="Apple-style-span"><span class="Apple-style-span" style="color:#999999;">Vlad Gaivoronschi</span></span></span></span></span></span></b><span style="font-family:'Myriad Pro';"><span class="Apple-style-span" style="font-size:small;"><span class="Apple-style-span"><span class="Apple-style-span"><span class="Apple-style-span"><span class="Apple-style-span" style="color:#999999;"> – Matricile spatiului traditional, </span></span></span></span></span><i><span class="Apple-style-span" style="font-size:small;"><span class="Apple-style-span"><span class="Apple-style-span"><span class="Apple-style-span"><span class="Apple-style-span" style="color:#999999;">ed. Paidea, Bucuresti, 2002</span></span></span></span></span><span class="Apple-style-span" style="font-size:small;"><span class="Apple-style-span"><span class="Apple-style-span"><span class="Apple-style-span"><span class="Apple-style-span" style="color:#999999;"><o:p></o:p></span></span></span></span></span></i></span></p> <p><b><span style="font-family:'Myriad Pro';"><span class="Apple-style-span" style="font-size:small;"><span class="Apple-style-span"><span class="Apple-style-span"><span class="Apple-style-span"><span class="Apple-style-span" style="color:#999999;">Salingros Nikos</span></span></span></span></span></span></b><span style="font-family:'Myriad Pro';"><span class="Apple-style-span" style="font-size:small;"><span class="Apple-style-span"><span class="Apple-style-span"><span class="Apple-style-span"><span class="Apple-style-span" style="color:#999999;"> – Theory of the urban web, Journal of Urban Design, Vol.3 p.53-71</span></span></span></span></span><span class="Apple-style-span" style="font-size:small;"><span class="Apple-style-span"><span class="Apple-style-span"><span class="Apple-style-span"><span class="Apple-style-span" style="color:#999999;"><o:p></o:p></span></span></span></span></span></span></p> <p class="MsoNormal" style="text-align:justify"><b><span style="font-family:'Myriad Pro';"><span class="Apple-style-span" style="font-size:small;"><span class="Apple-style-span"><span class="Apple-style-span"><span class="Apple-style-span"><span class="Apple-style-span" style="color:#999999;">Robert Venturi</span></span></span></span></span></span></b><span style="font-family:'Myriad Pro';"><span class="Apple-style-span" style="font-size:small;"><span class="Apple-style-span"><span class="Apple-style-span"><span class="Apple-style-span"><span class="Apple-style-span" style="color:#999999;">, learning from Las Vegas, ed. MIT Press, Cambridge, 1972</span></span></span></span></span><span class="Apple-style-span" style="font-size:small;"><span class="Apple-style-span"><span class="Apple-style-span"><span class="Apple-style-span"><span class="Apple-style-span" style="color:#999999;"><o:p></o:p></span></span></span></span></span></span></p> <p class="MsoNormal"><b><span style="font-family:'Myriad Pro';"><span class="Apple-style-span" style="font-size:small;"><span class="Apple-style-span"><span class="Apple-style-span"><span class="Apple-style-span"><span class="Apple-style-span" style="color:#999999;">Virillio Paul</span></span></span></span></span></span></b><span style="font-family:'Myriad Pro';"><span class="Apple-style-span" style="font-size:small;"><span class="Apple-style-span"><span class="Apple-style-span"><span class="Apple-style-span"><span class="Apple-style-span" style="color:#999999;">, “We may be entering an elctronic gothic era” – Architectural Design - Architects in Cybersapce II, vol.68, n11/12, p 61-65, dec 1998</span></span></span></span></span><span class="Apple-style-span" style="font-size:small;"><span class="Apple-style-span"><span class="Apple-style-span"><span class="Apple-style-span"><span class="Apple-style-span" style="color:#999999;"><o:p></o:p></span></span></span></span></span></span></p> <p class="MsoNormal"><b><span style="font-family:'Myriad Pro';"><span class="Apple-style-span" style="font-size:small;"><span class="Apple-style-span"><span class="Apple-style-span"><span class="Apple-style-span"><span class="Apple-style-span" style="color:#999999;">Baudrillard Jean</span></span></span></span></span></span></b><span style="font-family:'Myriad Pro';"><span class="Apple-style-span" style="font-size:small;"><span class="Apple-style-span"><span class="Apple-style-span"><span class="Apple-style-span"><span class="Apple-style-span" style="color:#999999;">, the System of Objects, trad. en. James Benedict,ed. Verso, 1996</span></span></span></span></span><span class="Apple-style-span" style="font-size:small;"><span class="Apple-style-span"><span class="Apple-style-span"><span class="Apple-style-span"><span class="Apple-style-span" style="color:#999999;"><o:p></o:p></span></span></span></span></span></span></p> <p class="MsoNormal"><b><span style="font-family:'Myriad Pro';"><span class="Apple-style-span" style="font-size:small;"><span class="Apple-style-span"><span class="Apple-style-span"><span class="Apple-style-span"><span class="Apple-style-span" style="color:#999999;">Mitjam Struppek, </span></span></span></span></span></span></b><span style="font-family:'Myriad Pro';"><span class="Apple-style-span" style="font-size:small;"><span class="Apple-style-span"><span class="Apple-style-span"><span class="Apple-style-span"><span class="Apple-style-span" style="color:#999999;">The potential of screens for urban society, </span></span></span></span></span><i><span class="Apple-style-span" style="font-size:small;"><span class="Apple-style-span"><span class="Apple-style-span"><span class="Apple-style-span"><span class="Apple-style-span" style="color:#999999;">publicat electonic</span></span></span></span></span><span class="Apple-style-span" style="font-size:small;"><span class="Apple-style-span"><span class="Apple-style-span"><span class="Apple-style-span"><span class="Apple-style-span" style="color:#999999;"><o:p></o:p></span></span></span></span></span></i></span></p> <p class="MsoNormal"><b><span style="font-family:'Myriad Pro';"><span class="Apple-style-span" style="font-size:small;"><span class="Apple-style-span"><span class="Apple-style-span"><span class="Apple-style-span"><span class="Apple-style-span" style="color:#999999;">Karmen Franinovic si Yon Visell</span></span></span></span></span></span></b><span style="font-family:'Myriad Pro';"><span class="Apple-style-span" style="font-size:small;"><span class="Apple-style-span"><span class="Apple-style-span"><span class="Apple-style-span"><span class="Apple-style-span" style="color:#999999;">, Activating space: from representation to being, </span></span></span></span></span><i><span class="Apple-style-span" style="font-size:small;"><span class="Apple-style-span"><span class="Apple-style-span"><span class="Apple-style-span"><span class="Apple-style-span" style="color:#999999;">publicat electronic</span></span></span></span></span><span class="Apple-style-span" style="font-size:small;"><span class="Apple-style-span"><span class="Apple-style-span"><span class="Apple-style-span"><span class="Apple-style-span" style="color:#999999;"><o:p></o:p></span></span></span></span></span></i></span></p> <p class="MsoNormal" style="text-align:justify"><b><span style="font-family:'Myriad Pro';"><span class="Apple-style-span" style="font-size:small;"><span class="Apple-style-span"><span class="Apple-style-span"><span class="Apple-style-span"><span class="Apple-style-span" style="color:#999999;">Wallace L</span></span></span></span></span></span></b><span style="font-family:'Myriad Pro';"><span class="Apple-style-span" style="font-size:small;"><span class="Apple-style-span"><span class="Apple-style-span"><span class="Apple-style-span"><span class="Apple-style-span" style="color:#999999;">., Screenworld, </span></span></span></span></span><i><span class="Apple-style-span" style="font-size:small;"><span class="Apple-style-span"><span class="Apple-style-span"><span class="Apple-style-span"><span class="Apple-style-span" style="color:#999999;">publicat electronic</span></span></span></span></span><span class="Apple-style-span" style="font-size:small;"><span class="Apple-style-span"><span class="Apple-style-span"><span class="Apple-style-span"><span class="Apple-style-span" style="color:#999999;"><o:p></o:p></span></span></span></span></span></i></span></p> <p class="MsoNormal"><b><span style="font-family:'Myriad Pro';"><span class="Apple-style-span" style="font-size:small;"><span class="Apple-style-span"><span class="Apple-style-span"><span class="Apple-style-span"><span class="Apple-style-span" style="color:#999999;">Nikos A. Salingaros</span></span></span></span></span></span></b><span style="font-family:'Myriad Pro';"><span class="Apple-style-span" style="font-size:small;"><span class="Apple-style-span"><span class="Apple-style-span"><span class="Apple-style-span"><span class="Apple-style-span" style="color:#999999;">, Urban Space and its Information Field, </span></span></span></span></span><i><span class="Apple-style-span" style="font-size:small;"><span class="Apple-style-span"><span class="Apple-style-span"><span class="Apple-style-span"><span class="Apple-style-span" style="color:#999999;">publicat electronic</span></span></span></span></span><span class="Apple-style-span" style="font-size:small;"><span class="Apple-style-span"><span class="Apple-style-span"><span class="Apple-style-span"><span class="Apple-style-span" style="color:#999999;"><o:p></o:p></span></span></span></span></span></i></span></p> <p class="MsoNormal" style="text-align:justify"><b><span style="font-family:'Myriad Pro';"><span class="Apple-style-span" style="font-size:small;"><span class="Apple-style-span"><span class="Apple-style-span"><span class="Apple-style-span"><span class="Apple-style-span" style="color:#999999;">Charles Jencks</span></span></span></span></span></span></b><span style="font-family:'Myriad Pro';"><span class="Apple-style-span" style="font-size:small;"><span class="Apple-style-span"><span class="Apple-style-span"><span class="Apple-style-span"><span class="Apple-style-span" style="color:#999999;">, Architecture of the jumping universe,ed. Actar, jul 1997</span></span></span></span></span><span class="Apple-style-span" style="font-size:small;"><span class="Apple-style-span"><span class="Apple-style-span"><span class="Apple-style-span"><span class="Apple-style-span" style="color:#999999;"><o:p></o:p></span></span></span></span></span></span></p> <p class="MsoNormal" style="text-align:justify"><b><span style="font-family:'Myriad Pro';"><span class="Apple-style-span" style="font-size:small;"><span class="Apple-style-span"><span class="Apple-style-span"><span class="Apple-style-span"><span class="Apple-style-span" style="color:#999999;">Charles Jencks</span></span></span></span></span></span></b><span style="font-family:'Myriad Pro';"><span class="Apple-style-span" style="font-size:small;"><span class="Apple-style-span"><span class="Apple-style-span"><span class="Apple-style-span"><span class="Apple-style-span" style="color:#999999;">, Iconic Building,ed.Actar, sept 2005</span></span></span></span></span><span class="Apple-style-span" style="font-size:small;"><span class="Apple-style-span"><span class="Apple-style-span"><span class="Apple-style-span"><span class="Apple-style-span" style="color:#999999;"><o:p></o:p></span></span></span></span></span></span></p> <p class="MsoNormal" style="text-align:justify"><b><span style="font-family:'Myriad Pro';"><span class="Apple-style-span" style="font-size:small;"><span class="Apple-style-span"><span class="Apple-style-span"><span class="Apple-style-span"><span class="Apple-style-span" style="color:#999999;">Colectia VERB,</span></span></span></span></span></span></b><span style="font-family:'Myriad Pro';"><span class="Apple-style-span" style="font-size:small;"><span class="Apple-style-span"><span class="Apple-style-span"><span class="Apple-style-span"><span class="Apple-style-span" style="color:#999999;"> ed. Paperback 2005-2007</span></span></span></span></span><span class="Apple-style-span" style="font-size:small;"><span class="Apple-style-span"><span class="Apple-style-span"><span class="Apple-style-span"><span class="Apple-style-span" style="color:#999999;"><o:p></o:p></span></span></span></span></span></span></p> <p class="MsoNormal" style="text-align:justify"><b><span style="font-family:'Myriad Pro';"><span class="Apple-style-span" style="font-size:small;"><span class="Apple-style-span"><span class="Apple-style-span"><span class="Apple-style-span"><span class="Apple-style-span" style="color:#999999;">Bernard Cache, Manuel De Landa</span></span></span></span></span></span></b><span style="font-family:'Myriad Pro';"><span class="Apple-style-span" style="font-size:small;"><span class="Apple-style-span"><span class="Apple-style-span"><span class="Apple-style-span"><span class="Apple-style-span" style="color:#999999;"> , Phy</span></span></span></span></span></span><span class="srtitle1"><span style=" font-weight: normal; font-family:'Myriad Pro';"><span class="Apple-style-span" style="font-size:small;"><span class="Apple-style-span"><span class="Apple-style-span"><span class="Apple-style-span"><span class="Apple-style-span" style="color:#999999;">logenesis foa's ark: foreign office architects, ed. Hardcover, 2004</span></span></span></span></span><span class="Apple-style-span" style="font-size:small;"><span class="Apple-style-span"><span class="Apple-style-span"><span class="Apple-style-span"><span class="Apple-style-span" style="color:#999999;"><o:p></o:p></span></span></span></span></span></span></span></p> <p class="MsoNormal" style="margin-left:-.75pt;text-align:justify"><b><span style="font-family:'Myriad Pro';"><span class="Apple-style-span" style="font-size:small;"><span class="Apple-style-span"><span class="Apple-style-span"><span class="Apple-style-span"><span class="Apple-style-span" style="color:#999999;">Manuel Gausa, MVRDV,</span></span></span></span></span></span></b><span style="font-family:'Myriad Pro';"><span class="Apple-style-span" style="font-size:small;"><span class="Apple-style-span"><span class="Apple-style-span"><span class="Apple-style-span"><span class="Apple-style-span" style="color:#999999;"> Soci</span></span></span></span></span></span><a href="http://www.amazon.com/Sociopolis-Project-Future-Manuel-Gausa/dp/8495951835/ref=sr_1_7/002-5751910-3756803?ie=UTF8&s=books&qid=1192433870&sr=1-7"><span style="font-family:"Myriad Pro";mso-fareast-Lucida Sans Unicode"; mso-fareast-language:AR-SA;text-decoration:none;text-underline: nonefont-family:";"><span class="Apple-style-span" style="font-size:small;"><span class="Apple-style-span"><span class="Apple-style-span"><span class="Apple-style-span"><span class="Apple-style-span" style="color:#999999;">opolis: Project for a City of the Future</span></span></span></span></span></span></a><b><span style="font-family:'Myriad Pro';"><span class="Apple-style-span" style="font-size:small;"><span class="Apple-style-span"><span class="Apple-style-span"><span class="Apple-style-span"><span class="Apple-style-span" style="color:#999999;">, </span></span></span></span></span></span></b><span style="font-family:'Myriad Pro';"><span class="Apple-style-span" style="font-size:small;"><span class="Apple-style-span"><span class="Apple-style-span"><span class="Apple-style-span"><span class="Apple-style-span" style="color:#999999;">ed. Paperback, 2006</span></span></span></span></span><span class="Apple-style-span" style="font-size:small;"><span class="Apple-style-span"><span class="Apple-style-span"><span class="Apple-style-span"><span class="Apple-style-span" style="color:#999999;"><o:p></o:p></span></span></span></span></span></span></p> <p class="MsoNormal"><span><o:p><span class="Apple-style-span" style="font-size:small;"><span class="Apple-style-span"><span class="Apple-style-span"><span class="Apple-style-span"><span class="Apple-style-span" style="color:#999999;"> </span></span></span></span></span></o:p></span></p> <!--EndFragment-->Rares V. DRAGANhttp://www.blogger.com/profile/01641848531075257498noreply@blogger.com0tag:blogger.com,1999:blog-6085086891183683789.post-48330845613610896182009-01-09T08:26:00.000-08:002009-03-24T08:53:54.960-07:00EMERGENT REALITY<a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgieUnBnuWfMDoYVAX6DtHzan3cFfCtKmIKmnCIoiuTU7oOXTTCUSdozbsqvdzqtsHrSfrq15XCeRnm7602d6OWpyZlyS-HP4KU-iwg5giuAkPB2asxOK9xWdszk8bidxdgw2p7e1ZVJrv_/s1600-h/6.jpg"><img style="display:block; margin:0px auto 10px; text-align:center;cursor:pointer; cursor:hand;width: 320px; height: 241px;" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgieUnBnuWfMDoYVAX6DtHzan3cFfCtKmIKmnCIoiuTU7oOXTTCUSdozbsqvdzqtsHrSfrq15XCeRnm7602d6OWpyZlyS-HP4KU-iwg5giuAkPB2asxOK9xWdszk8bidxdgw2p7e1ZVJrv_/s320/6.jpg" border="0" alt="" id="BLOGGER_PHOTO_ID_5311591280918917026" /></a><br /><a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhpdkelYks-qlCo3DE3DVN3Zr6JPhvKNT4hOiMCNUoFr7aXErbzYpSk92Rf4OFSG1_lyxHohZYw-f2fwpqVNLFPCFcb5M6PPUlNUTY35oQly59L3hvbEbgxFHlD9xbE7aZI6xq8OUoJwpKx/s1600-h/5.jpg"><img style="display:block; margin:0px auto 10px; text-align:center;cursor:pointer; cursor:hand;width: 320px; height: 240px;" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhpdkelYks-qlCo3DE3DVN3Zr6JPhvKNT4hOiMCNUoFr7aXErbzYpSk92Rf4OFSG1_lyxHohZYw-f2fwpqVNLFPCFcb5M6PPUlNUTY35oQly59L3hvbEbgxFHlD9xbE7aZI6xq8OUoJwpKx/s320/5.jpg" border="0" alt="" id="BLOGGER_PHOTO_ID_5311591085355677458" /></a><br /><a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjrrEO3iDm21zrku6JieWG4vRa3OfDcsXYJbfyYitQnV6P-zmzCOAz6H-ofhqiSsAAftTDcTAjeWSzkziUf3nuxqGmfYIihMbg8DK-u8oGvQtgGk86F2fLKKYpJwAWGtTPqoElFR_BNKdt5/s1600-h/4.jpg"><img style="display:block; margin:0px auto 10px; text-align:center;cursor:pointer; cursor:hand;width: 320px; height: 240px;" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjrrEO3iDm21zrku6JieWG4vRa3OfDcsXYJbfyYitQnV6P-zmzCOAz6H-ofhqiSsAAftTDcTAjeWSzkziUf3nuxqGmfYIihMbg8DK-u8oGvQtgGk86F2fLKKYpJwAWGtTPqoElFR_BNKdt5/s320/4.jpg" border="0" alt="" id="BLOGGER_PHOTO_ID_5311591076072191810" /></a><br /><a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgEbDBTS1dSQKcJIu5pOGyVo9OAFHd2G4_zq2xTvvh5AnM6Nqw0-yn8R9JOuLsCqaqKa_vG5HZspvemjgvwUX8MuuHgesILBOLR4S43_5vWx9u6hwACa9laSs9kM4yxEbzNsh5Cjr60VW1K/s1600-h/3.jpg"><img style="display:block; margin:0px auto 10px; text-align:center;cursor:pointer; cursor:hand;width: 320px; height: 241px;" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgEbDBTS1dSQKcJIu5pOGyVo9OAFHd2G4_zq2xTvvh5AnM6Nqw0-yn8R9JOuLsCqaqKa_vG5HZspvemjgvwUX8MuuHgesILBOLR4S43_5vWx9u6hwACa9laSs9kM4yxEbzNsh5Cjr60VW1K/s320/3.jpg" border="0" alt="" id="BLOGGER_PHOTO_ID_5311591072803723586" /></a><br /><a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhs80NvlnvHIy8laj2ODqu6vmyz6WxTTiRtY5yFmYYbO2aKj44JSmTtkrtSLoe5cMqa-SO0arAyeGOAK02NprvYSH_Au9j29gc1hevav7DAtFBCb6wdFqRvIlY-C3s7_RJgpOlxwBKdvHN2/s1600-h/2.jpg"><img style="display:block; margin:0px auto 10px; text-align:center;cursor:pointer; cursor:hand;width: 320px; height: 240px;" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhs80NvlnvHIy8laj2ODqu6vmyz6WxTTiRtY5yFmYYbO2aKj44JSmTtkrtSLoe5cMqa-SO0arAyeGOAK02NprvYSH_Au9j29gc1hevav7DAtFBCb6wdFqRvIlY-C3s7_RJgpOlxwBKdvHN2/s320/2.jpg" border="0" alt="" id="BLOGGER_PHOTO_ID_5311591070335029970" /></a><br /><a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhuC519iSc2lhi7R7Y_kC8HwVhn2r0nkddMFUR3lKDs81AHCnHh1uN-0sJX2Hbn13Aajc028fpxbQgR5dkqp0C_G7cqQ570aAHyIjdHnmssXiTm0UXid7UmpgPU4xoXN5lH_fhS9936k81o/s1600-h/1.jpg"><img style="display:block; margin:0px auto 10px; text-align:center;cursor:pointer; cursor:hand;width: 242px; height: 320px;" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhuC519iSc2lhi7R7Y_kC8HwVhn2r0nkddMFUR3lKDs81AHCnHh1uN-0sJX2Hbn13Aajc028fpxbQgR5dkqp0C_G7cqQ570aAHyIjdHnmssXiTm0UXid7UmpgPU4xoXN5lH_fhS9936k81o/s320/1.jpg" border="0" alt="" id="BLOGGER_PHOTO_ID_5311591063662701970" /></a><a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhYXZ0XoocjBRQ5pDb4b90rIMVjAdL_DI1p4N19gM7oW6i1mB7HRZ_jqz7XH1RWa36zQd-AB2MhADG6f6tS2-1RgpZXr37DP3B4_ikWCrnSak3Kn14dNEdG1HcdfZfyT1JkHhxWvomRwTaz/s1600-h/6.jpg"></a><br /><span class="Apple-style-span" style=";font-family:'Myriad Pro';"><span class="Apple-style-span" style="font-size:medium;"><span class="Apple-style-span" style="color: rgb(192, 192, 192);">The study intended will try to sketch the problem of virtual in the urban space, notion recently appeard beacause of the new tehnologies that have appliance in the XXth century architecture. The implications of doubleing the reality bring forward in the light problems and concepts that need to be revised ; reactualisation of perception, social interaction and estetic principals.</span></span><span><span class="Apple-style-span" style="font-size:medium;"><span class="Apple-style-span" style="color: rgb(192, 192, 192);"> </span></span></span><span class="Apple-style-span" style="font-size:medium;"><span class="Apple-style-span" style="color: rgb(192, 192, 192);">As follows, the virtual creats a presure upon the integrity of real as we know it since 5-10 years ago. The situation asks for importance ever since the virtual has bypassed the stage of video game<br />s and is including macrospheres of the tehe reality by means of architecture.<br /></span></span></span>Rares V. DRAGANhttp://www.blogger.com/profile/01641848531075257498noreply@blogger.com0tag:blogger.com,1999:blog-6085086891183683789.post-47701337129071940232009-01-09T07:20:00.001-08:002009-03-10T08:22:36.482-07:00E.archdoc saggio ModuleI am researching about emergent realities in urban public spaces revealed by the new perceptions twords new technolgy in comunication and relations applied in public space<div><br /></div><div><br /></div><div><span class="Apple-style-span" style="font-family:arial;"><span class="Apple-style-span" style="font-size: small;">New bibliography regarding the topic related to my subject of interest as written above:</span></span></div><div><br /></div><div><p style="margin: 0.0px 0.0px 0.0px 0.0px; font: 10.0px Helvetica Neue"><span style="letter-spacing: 0.0px"><b> BRIGHT</b></span><span style="font: 10.0px Helvetica Neue Light; letter-spacing: 0.0px"> </span><span style="letter-spacing: 0.0px"><b>Architectural Ilumination and Light Installations</b></span><span style="font: 11.0px Helvetica Neue Light; letter-spacing: 0.0px"> - ed. Frame Publishers , Amsterdam 2008</span></p> <p style="margin: 0.0px 0.0px 0.0px 0.0px; font: 11.0px Helvetica Neue Light; min-height: 13.0px"><br /><span style="letter-spacing: 0.0px"></span></p><p style="margin: 0.0px 0.0px 0.0px 0.0px; font: 11.0px Helvetica Neue Light; min-height: 13.0px"><br /></p> <p style="margin: 0.0px 0.0px 0.0px 0.0px; font: 11.0px Helvetica Neue Light; min-height: 13.0px"><span style="letter-spacing: 0.0px"></span><br /></p> <p style="margin: 0.0px 0.0px 0.0px 0.0px; font: 11.0px Helvetica Neue Light"><span style="font: 10.0px Helvetica Neue; letter-spacing: 0.0px"><b> SPATIAL PATHOLOGY Floating Realities</b></span><span style="letter-spacing: 0.0px"> - Margot K. Krasojevic, Research Institute for experimental Architecture, Bern , Switzerland, 2007</span></p> <p style="margin: 0.0px 0.0px 0.0px 0.0px; font: 11.0px Helvetica Neue Light; min-height: 13.0px"><span style="letter-spacing: 0.0px"></span><br /></p><p style="margin: 0.0px 0.0px 0.0px 0.0px; font: 11.0px Helvetica Neue Light; min-height: 13.0px"><br /></p> <p style="margin: 0.0px 0.0px 0.0px 0.0px; font: 11.0px Helvetica Neue Light; min-height: 13.0px"><span style="letter-spacing: 0.0px"></span><br /></p> <p style="margin: 0.0px 0.0px 0.0px 0.0px; font: 11.0px Helvetica Neue Light"><span style="font: 10.0px Helvetica Neue; letter-spacing: 0.0px"><b> SPACE FIGHTER The evolutionary City (game:)</b></span><span style="letter-spacing: 0.0px">, MVRDV/DSD, Berlage Institutte, MIT, cTrough, ed. Acta-D,2007</span></p><p style="margin: 0.0px 0.0px 0.0px 0.0px; font: 11.0px Helvetica Neue Light"><br /></p><p style="margin: 0.0px 0.0px 0.0px 0.0px; font: 11.0px Helvetica Neue Light"><br /></p> <p style="margin: 0.0px 0.0px 0.0px 0.0px; font: 11.0px Helvetica Neue Light; min-height: 13.0px"><span style="letter-spacing: 0.0px"></span><br /></p> <p style="margin: 0.0px 0.0px 0.0px 0.0px; font: 11.0px Helvetica Neue Light"><span style="font: 10.0px Helvetica Neue; letter-spacing: 0.0px"><b> L’ART NUMERIQUE</b></span><span style="letter-spacing: 0.0px">, coord. Patrick Mauries, ed. Thames&Hudson, Paris, 2004</span></p><p style="margin: 0.0px 0.0px 0.0px 0.0px; font: 11.0px Helvetica Neue Light"><br /></p><p style="margin: 0.0px 0.0px 0.0px 0.0px; font: 11.0px Helvetica Neue Light"><br /></p> <p style="margin: 0.0px 0.0px 0.0px 0.0px; font: 11.0px Helvetica Neue Light; min-height: 13.0px"><span style="letter-spacing: 0.0px"></span><br /></p> <p style="margin: 0.0px 0.0px 0.0px 0.0px; font: 11.0px Helvetica Neue Light"><span style="font: 10.0px Helvetica Neue; letter-spacing: 0.0px"><b> SPACE BETWEEN PEOPLE</b></span><span style="letter-spacing: 0.0px">, Stephan Doesinger, ed. Prestel Verlag, Munich, Berlin, London, New York, 2008</span></p><p style="margin: 0.0px 0.0px 0.0px 0.0px; font: 11.0px Helvetica Neue Light"><br /></p><p style="margin: 0.0px 0.0px 0.0px 0.0px; font: 11.0px Helvetica Neue Light"><br /></p> <p style="margin: 0.0px 0.0px 0.0px 0.0px; font: 11.0px Helvetica Neue Light; min-height: 13.0px"><span style="letter-spacing: 0.0px"></span><br /></p> <p style="margin: 0.0px 0.0px 0.0px 0.0px; font: 10.0px Helvetica Neue"><span style="letter-spacing: 0.0px"><b> SKIN Architectur & Bau Forum</b></span><span style="font: 11.0px Helvetica Neue Light; letter-spacing: 0.0px">,Vienna, 0ct 2008</span></p><div><span class="Apple-style-span" style="font-family:'Helvetica Neue Light';font-size:100%;"><span class="Apple-style-span" style="font-size: 11px;"><br /></span></span></div></div>Rares V. DRAGANhttp://www.blogger.com/profile/01641848531075257498noreply@blogger.com1tag:blogger.com,1999:blog-6085086891183683789.post-79257921477319711242007-12-11T14:52:00.000-08:002009-10-25T15:00:51.737-07:00REalitatea Emergenta in Saptiul Urban Contemporan - Prezentare Anuala de Arhitectura Timisoara 11 Dec 2007<div><br /></div><iframe allowfullscreen='allowfullscreen' webkitallowfullscreen='webkitallowfullscreen' mozallowfullscreen='mozallowfullscreen' width='320' height='266' src='https://www.blogger.com/video.g?token=AD6v5dw_gxhRJ9QvQ8Y3alyGQMES8bGs_kKICVuvwXTZ5EBGSw1e6iqC8SzWCQVocJ6c9i05sNfNQPuXzTEGtIQOcw' class='b-hbp-video b-uploaded' frameborder='0'></iframe>Rares V. DRAGANhttp://www.blogger.com/profile/01641848531075257498noreply@blogger.com0